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The Monk and the Fish
Music : Serge Besset, after Corelli’s “Follia”
Animation : Michael Dudok de Wit & Guy Delisle
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Noel McKenna
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JULIAN SARTORIUS - SOLO
Film by Matthias Günter
Sound by Jonas Häni
Music by Julian Sartorius
Recorded on 4th of November 2012 at Kesselhaus, Dampfzentrale Bern.
Thanks to Dampfzentrale Bern.
http://juliansartorius.ch/ -
Roni Horn
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Darkness Light Darkness (1990), by Jan Svankmajer
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Melissa Dubbin and Aaron S. Davidson
Smokescreen (Family Portraits 1, 3, 4, 5, 6, 7, 8, 9), 2010
archival pigment prints on cotton rag
19.6 x 29.5 cm each -
Michel Blazy’s works are dealing with a living and natural material, always subjected to changes and decomposition. They are in constant evolution but also finite, deprived of future. Their ephemeral condition confer they beauty and majesty.
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Hey, this post may contain adult content, so we’ve hidden it from public view.
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Series by John Gordon Gauld
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Maybe to remain as discreet as possible, Kiripi Katembo used to photograph the streets of Kinshasa through their water puddle, enhancing even more the poetry of the moment captured.
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Paintings by Pierre Seinturier
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Born in 1978 in Lubumbashi, province of Katanga, DR Congo, Sammy Baloji started his artistic carrer in comics, photography and video. He produced several documentaries on the Katanga culture and the architectural legacy from the colonial time in DR Congo.
In this series he started photographing the mining region of Lisaki with very large panoramic shots, making them look like cinematic travellings. Baloji evokes the life of the miners from the colonial times, thanks to collages of black and white photographs on contemporary shots of abandoned mines and spoil tips. This way he explains the greed this region provokes, first exploited by the Belgian colonisation, after the Independence by the central State of Kinshasa, and nowadays by rival armies. Nothing of the social life of miner appears through the current context, whereas everywhere in the world, the miners have forged their own culture and memory.
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Challenging the international preconceptions of women’s roles within an Islamic state, Tehran-based artist Shadi Ghadirian’s photographs draw from her own experiences as a modern woman living within the ancient codes of Shariah law. Her images describe a positive and holistic female identity, humorously taking issue with the traditional roles by which women – both in the Middle East and universally – have been defined.
